Dream Wife (1953) – full review!
Dream Wife (1953) – full review!
Directed by Sidney Sheldon who wrote the screenplay with Herbert Baker and Alfred Lewis Levitt this late screwball flat sex farce reunites actor Cary Grant with writer Sheldon who’d won an Academy Award on his only nomination for The Bachelor and the Bobby-Soxer (1947) in their only other collaboration. That’s just one of the reasons that make one feel that this comedy could have been better another is its veteran cast that includes Deborah Kerr and Walter Pidgeon. As it is the storyline incorporates dated male and female gender roles in a way that’s infrequently funny and more often silly. What begins as a promising although greatly simplified look at the primitive wants and needs of each sex devolves into a less than amusing review of old stereotypes. The film did receive an Academy Award nomination for its B&W Costume Design.
When Clemson Reade (Grant) finally realizes that his fiancée Priscilla Effington’s (Kerr) state department job takes too much of her time and will likely delay their wedding he decides that he’s had enough. When ‘Effie’ realizes that ‘Clem’ was expecting her to give up her job when she’d married him they mutually agree to end their engagement. He then sends a telegram to the Khan (Eduard Franz) of oil rich Bukistan where he’d just been on business to see if can wed the royal Princess Tarji (Betta St. John) who’s been trained since birth as per their 3000 year tradition to care about nothing else but pleasing her future husband. The only trouble is the state department’s Walter McBride (Pidgeon with a rather minor role) and his assistant Effie have been negotiating a big oil death with the Khan. They intercept Clem’s crude telegram and express their concerns about his plans messing up theirs. McBride then assigns Effie who understands Bukistan’s customs and speaks their language fluently to act as a liaison between Clem and Tarji who’s father accepts the proposal of marriage.
Of course Tarji is perceived by Clem and his jealous co-worker friends (Les Tremayne Bruce Bennett and Richard Anderson’s characters) to be the perfect wife but her native customs (e.g. having to walk 3 feet behind him at all times being unable to dine with him etc.) and the fact that the wedding is scheduled 3 months in the future (during which the Princess’s imposing bodyguard is to keep them from kissing one another) gives him second thoughts. Heavyweight boxing champion Max Baer’s younger brother Buddy plays Tarji’s bodyguard and in the screwball tradition Dan Tobin does his best "Franklin Pangborn" playing a befuddled hotel manager. So Clem asks Effie to help Tarji to become more sophisticated or domesticated for U.S. customs and of course his ex-fiancée is only too happy to educate the Princess about famous suffragettes and other early feminists. Effie’s efforts help to undo 3000 years of Bukistan culture in just 3 months! Meanwhile Effie begins to see Clem’s attraction to Tarji (or at least his ideal of a subservient wife) in a new light. When the now English speaking yet still very naive Tarji goes out for a walk alone she attracts men (including Steve Forrest) like flies. It doesn’t take a genius to figure out where all this is leading and in the end the predictable is delivered.
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